Joey Santarromana

Resume

Education

• 1989-1992 M.F.A., California Institute for the Arts
  

• 1985-1989 B.F.A., Otis Art Institute of Parsons School of Design
  

Employment

• Spring 2008 University of California in Riverside
  

• 2001-Present C.E.O., System Yellow Inc. (system-yellow.com)
  

• Founder and C.E.O of “System Yellow Inc.” A publishing and distribution company of Media Art on DVD.
  

• 2001-2008 Lecturer, California State University, Long Beach
  

• 2001-2007 Core Faculty, Bard College, N.Y., Milton Avery Graduate School
  

• 1997-Present Digital Artist, J.P. Flack (Television Production Design)
  

• Fall 2005   Lecturer University of California, Irvine
  

• Spring 2005 Adjunct faculty, Otis College of Art and Design
  

• Fall 2002   Part Time Faculty, California College of Arts and Crafts
  

• Graduate student advisor
  

• 1998-1999 California State University, Fullerton.
  

• 1997-2001 Adjunct faculty Otis College of Art and Design
  

• 1996-1997 Lecturer University of California, Los Angeles (Extension)
  

• 1996-1997 Lecturer, University of Southern California
  

• 1993-1997 Lecturer, University of California in Irvine
  

• 1989-1991 Studio Manager/Artist Assistant, Bill Viola
  

Public Art Commissions:

2007

• THE BRADLEY INTERNATIONAL TERMINAL VIDEO WALL (TBIT), LAX, Los Angeles, CA
  

Solo Exhibitions:

2005

• “GONGYO”, POST Los Angeles, Los Angeles, CA
  

1998        

• “SANTARROMANA”, POST L.A., Los Angeles, CA
  

• “THE TELEGARDEN”, ARS ELECTRONICA, Linz Austria
  

1994

• “HOUSE”, NEWSPACE, Los Angeles, CA
  

1993

• “EMERGING ARTIST SERIES”, Sweeney Art Gallery, University of
  

• California, Riverside, CA
  

Group Exhibitions:

2009

• “Kamikaze” PØST, Los Angeles, CA
  

• “Rebus” Archeological Museum of Amelia, Umbria, Italy
  

• “OF INTRICACY” Los Angeles Airport (LAX), Los Angeles, CA
  

2008

• “MULTIPLE FEEDS” Democracy Forum at the National Center for the Preservation of Democracy, Los Angeles CA
  

• “OF INTRICACY” Eagle Rock Center for the Arts, Eagle       Rock, CA
  

• “THE LONG WEEKEND” Phantom Galleries, Pasadena, CA
  

• “at the BREWERY PROJECT, 1993-2007: The Finale ” Pasadena Armory, Pasadena, CA
  

2007        

• “HUMOR-US” Barnsdall Municipal Art Gallery, Los Angeles, CA
  

• “GENERIC REMIX PROJECT” Pacific Film Archive, San Francisco, CA
  

2006

• “GENERIC REMIX PROJECT” Redcat, Ray & Edna Disney/Calarts Theatre in Walt Disney Concert Hall, Los Angeles, CA
  

• “ANIMAL”, Brewery Projects, Los Angeles, CA
  

• “ONENIGHTGALLERY”, Vendado, La Habana, Cuba
  

• “OTIS L.A. - Nine Decades of Los Angeles Art” Los Angeles
  

• Municipal Art Gallery, Barnsdall Park, Los Angeles, CA
  

2005               

• “THIS IS THE PLACE, THIS IS THE PERSON, THIS IS THE THING” Brewery Projects, Los Angeles, CA
  

2004        

• “SUTURE”, D.U.M.B.O. Experimental Film & Video Festival, Brooklyn, N.Y.
  

• “BARD COLLEGE FACULTY EXHIBITION”, Bard College, N.Y.
  

2003

• “IRRATIONAL EXHIBIT 2”, Track 16 Gallery, Santa Monica, CA
  

2002

• “MEDIA”, Brewery Projects, Los Angeles, CA
  

• “BARD COLLEGE FACULTY EXHIBITION”, Bard College, N.Y.
  

2001        

• “BARD COLLEGE FACULTY EXHIBITION”, Bard College, N.Y.
  

2000

• “BAGUIO CITY INTERNATIONAL ART FESTIVAL”, Baguio City, Philippines
  

• “WHITNEY BIENNEAL” (Telegarden), N.Y.
  

1999        

• “PROJECTIONS: INTERMISSION IMAGES VI” Laemmle Grande Theaters, Los Angeles, CA
  

• “VENUS”, ARC, Wien, Austria
  

• “BIOROM”, Spazio Enne, Rome Italy
  

• “DIFFERENT LOOKS”, Sweeney Art Gallery, U.C. Riverside, CA
  

1998        

• “NEW WINDOWS IN ONE COLORADO” Pasadena, CA
  

• “CONTACT” Brewery Projects, Los Angeles, CA
  

• “ACCESS ALL AREAS” Japanese American Cultural Center, Los Angeles, CA
  

• “L.A.M.3, Ubermain Gallery, Los Angeles, CA
  

• “HOT POP”, New Image Art, Los Angeles, CA
  

• “ART IN JEANS”, Florence, Italy (catalog)
  

1997

• “MEMORIES OF OVER DEVELOPMENT: Philippine Diaspora in Contemporary Art”, Museum of Art, Grand Forks, North Dakota
  

• “MEMORIES OF OVER DEVELOPMENT: Philippine Diaspora in Contemporary Art”, Plug-In Gallery, Winnipeg, Canada
  

• “UMBRA PENUMBRA”, Academy Arts Center, Image Foundation, Honolulu, Hawaii
  

• “VIDEO EXHIBITION” Hohenthal und Bergen Gallery, Koln, Germany
  

• “LIE OF THE LAND” University Museum, Santa Barbara, CA
  

• “MEMORIES OF OVER DEVELOPMENT: Philippine Diaspora in Contemporary Art”, University of California, Riverside Fine Arts Gallery, Riverside, CA
  

1996        

• “Muse X Exhibition, Shoshana Wayne Gallery, Santa Monica, CA
  

• “Muse X Exhibition, Santa Monica Museum of Art, Santa Monica, CA
  

• “ARS ELECTRONICA” Ars Electronica Complex, Linz Austria
  

• “MEMORIES OF OVER DEVELOPMENT: Philippine Diaspora is Contemporary Art”, University of California, Irvine Art Gallery, Irvine, CA
  

1995        

• “LONG DISTANCE RELATIONSHIPS: You, Me and My Telephone”
  

• Saint Mary’s College, Maryland
  

• “SELF PORTRAYAL”, Post L.A., Los Angeles, CA
  

• “UNOFFICIAL REALITIES” Manhattan Beach Mall, Manhattan Beach, CA         
  

• “SIGGRAPH ‘1995”, Los Angeles Convention Center, Los Angeles, CA
  

• “VEERED SCIENCE”, Huntington Beach Center for the Arts, Huntington Beach, CA
  

• “SOFT TOUCH”, NewSpace, Los Angeles, CA
  

• “1995 INTERACTIVE MEDIA FESTIVAL” Variety Arts Center, Los Angeles, CA
  

• “DIGITAL ALCHEMY”, San Francisco, CA
  

• “TREASURE IN THE HOUSE” Highways, Santa Monica, CA
  

• “UNDER CONSTRUCTION: Rethinking Image of Identity”, Pasadena Armory, Pasadena, CA
  

• “PERSISTENT DISPOSITIONS: Technetronic Identities”, California Institute for the Arts, Valencia, CA
  

1994

• “L.A.X.: Los Angeles Biennial, Sincerity and other Peccadilloes”, Otis Art Gallery, Los Angeles, CA
  

• “DIDEROT AND THE LAST ILLUMIAIRES”, Southern Exposure, San Francisco, CA
  

• “FAR BIZZARE”, Bingo Building, Los Angeles, CA
  

• “NEW VOICES ‘94” Allen Memorial Museum, Oberlin, Ohio
  

• “FACULTY/STAFF: New Works”, University of California, Irvine, Fine Art Gallery, Irvine, CA
  

• “BLOW UP”, Forum Zeitgenossischer Komponisten, Austrian Broadcast Corp. Theater (ORF), Wien, Austria
  

• “FAR PARKED” The Los Angeles Art Fair, Los Angeles, CA
  

1993        

• “SCHOOL DAYS”, Jan Baum Gallery, Los Angeles, CA
  

• “SOLO SERIES OF THREE”, Angels Gate Cultural Center, San Pedro, CA
  

• “DURABLE GOODS, The Los Angeles International”, NewSpace, Los Angeles, CA
  

• “NATIONAL VIDEO EXHIBITION” Moreau Gallery, Saint Mary’s College, Notre Dame, Indiana
  

1992

• “CROSS SECTION”, Korean Cultural Center, Los Angeles, CA
  

• “VIRGIN TERRITORIES” Long Beach Museum of Art, Long Beach, CA
  

• “VIDEONALE 5”, Banderwunshprogramn, Bonner Kunstverein, Bonn, Germany
  

• “BREAKING BARRIERS”, Santa Monica Museum of Art, Santa Monica, CA
  

• “VISITORS AT NARCISSUS’ REFLECTING POOL”, Lucas Auditorium, University of Southern California, Los Angeles, CA
  

1991

• “SPIKED TONGUES”, Saddleback College Art Gallery, Mission Viejo, CA
  

 

EXHIBITION ORGANIZER

2008        

• “THE LONG WEEKEND” organized with Nancy Buchanan at Phantom Galleries.
  

• “at the brewery project ” The Pasadena Armory, Pasadena, CA
  

2006

• “ANIMAL” Brewery Projects, Los Angeles, CA
  

2005

• “THIS IS THE PLACE, THIS IS THE PERSON, THIS IS THE THING” The Brewery Projects, CA
  

• “TRANSLATIONS” Post, Los Angeles, CA
  

2004

• “SUTURE”, D.U.M.B.O. Experimental Film and Video Festival, Brooklyn NY
  

2003

• “SOFT MACHINES” The Brewery Projects, Los Angeles, CA, Nov. 2003
  

• “NOBODY WALKS in L.A.” DUMBO experimental film and video festival, Brooklyn, NY, Oct 2003
  

2002

• “MEDIA” Brewery Projects, Los Angeles, CA.  2002
  

2001

• "IN THE BELLY OF THE BEAST: Experimental Video in the
  

• Shadow of Hollywood" Rome, Italy 1997
  

1997

• "COLLECTIVE NOISE" Collective Noise Gallery, Los Angeles,
  

• CA, 1997
  

• "JUST A MINUTE" Los Angeles Center for Photographic
  

• Studies (LACPS), Los Angeles, CA,
  

1995

• "1995 FESTIVAL OF PHILIPPINE ARTS AND CULTURE," Film & Video Screening, Cabrello Auditorium, San Pedro, CA
  

1994

• "1994 FESTIVAL OF PHILIPPINE ARTS AND CULTURE," Film & Video Screening, Cabrello Auditorium, San Pedro, CA
  

1992

• "MEMORY INSERTION," F.A.R. Bazaar, Old Federal Reserve Bank Building, Los Angeles
  

1991

• "CHANGE IN SOUTH AFRICA: Video Documentaries," "ONE NAMIBIA, ONE
  

• NATION", By Nancy Buchanan, "EXCERPTS OF FOOTAGE FROM SOUTH
  

• AFRICA", Produced by Karen Hayes, Barnsdall Park Gallery Theater, Los Angeles
  

 

SELECTED CATALOG BOOKS AND REVIEWS

• “SPACE SITE INTERVENTION” Edited by Erika Suderburg, “The
  

• Situationists” and Recent Installations: Joseph Santarromana’s
  

• Intersubjective Engagements”, By Amelia Jones
  

• "JOSEPH SANTARROMANA at NEWSPACE GALLERY" By Collette Chattopadhyay,
  

• Asian Art  & News, Sept./Oct. 1996 (picture).
  

• “JOSEPH SANTARROMANA at NewSpace”, 28 May-29 June, By Ken Gonzales Day, Art Issues, Sept./Oct. 1996, pg. 45 (picture)
  

• "FAMOUS FACES" By David Pagel, Los Angeles Times, June 13, 1996, Cover  Calendar Section
  

• "TECHNOFORNIA"  By Peter Lunenfeld, FLASH ART, March-April 1996 p. 69-71, Photo.
  

• "ARTISTS MEET MACHINE AGE" By Zan Dubin, Los Angeles Times/Calendar, July 4, 1994 F1, F2.
  

• “TECHNOLOGY MADE ACCESSIBLE IN 'VEERED”, By Zan Dubin, Los Angeles Times, 5, 1995, Section F.
  

• “VEERED SCIENCE/A VITAL MATRIX, By Terri Friedman, "Zing Magazine: a curatorial crossing" Autumn 1995, n.p.
  

• "UNOFFICIAL REALITIES," Essay by JoAnn Hanley Exhibition catalogue, Manhattan Friends of the Arts, 1142 Manhattan Ave. Suite 271, Manhattan Beach CA 90266
  

• - "ARTIFICIAL GARDENING," By Andrew Leonard, WIRED, Oct., 1995, pg. 174
  

• "VEERED SCIENCE CATALOGUE," Essay by Marilou Knode, Exhibition Catalog, Huntington Beach Art Center, 538 Main Street, Huntington Beach CA, 92648
  

• "1995 INTERACTIVE MEDIA FESTIVAL," Exhibition Catalog, 448 Bryant St., San Francisco, CA 94107                      
  

• "THE TELE-GARDEN" 1995 BBC 2 BROADCAST, 1/2 hour Program on The Tele Garden Project.
  

• "IDEAS 'UNDER CONSTRUCTION' AT ARMORY," By William Wilson, Los Angeles Times (Calendar Section, Art Reviews), January 21, 1995
  

• "UNDER CONSTRUCTION rethinking images of identity," Essay by Michael Anderson and Sue Spaid Exhibition Catalog, 1995 Armory Center for the Arts 145 North Raymond Avenue, Pasadena California 91103
  

• "NEW VOICES 94," Essay by Lucinda Barnes, Exhibition Catalog, Allen Memorial Museum Bulletin (v.XLVll, 2 1994)
  

• "LAX 94," Essay by Anne Ayers, Exhibition Catalog, LAX: The Los Angeles Exhibition
  

• "NEW VOICES," By Douglas Utter, The New Art Examiner (v.22, n.3, pp. 48-9)
  

• "ART'S NEW VOICES SING," Oberlin Show Up To Snuff, By Steven Litt, The Plain Dealer (Ohio) Arts & Living, May 2, 1994
  

• "PERSONAL IDENTITY EXPLORED," By Dorothy Shinn, Akron Beacon-Journal, May 1, 1994
  

• "ALLEN MEMORIAL ART MUSEUM New Voices 1994," Catalogue, Dialogue, March/April, 1994
  

• "OBERLIN MUSEUM OFFERS LOOK AT NEW ART FORMS," By Caroline Yount, The Chronicle-Telegram/ARTS (Ohio), April 29, 1994                      
  

• "KONZERT FÜR DAMEN IHRE AFFEND UND ORCHESTER IM ORF-FUNKHAUS," By Reinhard  Kager Der Standard Kulture, Vienna, February 28, 1994
  

• "WATERBORNE," Joseph Santarromana at NewSpace Gallery, By Timothy Nolan, Artweek, February 3, 1994
  

• "SOUTH BAY SMORGASBORD Pot-Luck Fin De Siecle in and Around Long Beach," By Shirle Gottlieb, Visions Art Quarterly Magazine, Winter 1993
  

• "ART PICK OF THE WEEK," By Peter Frank, Los Angeles Weekly, Jan. 28 1994
  

• "TELINVERSIONS AND TELEVERSES ," Video Vistas from the 3rd Independent Freewaves, Video Festival in Los Angeles By Jacki Apple
  

• "Visions Art Quarterly, Summer 1993," The Los Angeles International, By David Pagel, Artforum, Summer 1993
  

• "Aesthetics of Stuff From 99-cent Stores," By Peter Frank, Press Telegram, May 16, 1993
  

• "BEST BET," By Mary Helen Berg,, Los Angeles Times / South Bay,  April 18, 1993
  

• "Teasing Visual Double-Entendre in Provocative Exhibit," By Kinney Littlefield, Press Telegram, June 14, 1992
  

• "Spiked Tongues At Saddleback Punctures Cultural Stereotypes," By Cathy Curtis, Los Angeles Times / Orange County,  November 11, 1991
  

AWARDS

• THE DURFEE FOUNDATION ARC (ARTISTS RESOURCE FOR COMPLETION), 2007
  

• WESTAF/NEA 1996, Honorable Mention
  

• FESTIVAL OF INTERACTIVE VISUAL ARTS (FIVA) Top Award 1996
  

• INTERVAL RESEARCH and the VOYAGER COMPANY "1995 New Voices/New Visions: Noteworthy Works"
  

• CITY OF KOBE, Japan, Interactive Media Award, 1995
  

• ART MATTERS FELLOWSHIP, 1995
  

• Los Angeles, Contemporary Exhibitions (L.A.C.E.) Project Grant, 1993
  

• City of Los Angeles, Cultural Affairs Grant 1993
  

• Long Beach Museum of Art, Open Channels Grant, 1993
  

• The Brody Fellowship, New Genre, 1992
  

• Helen Lundeburg - Lorser Feitelson Scholarship, 1992
  

• Angels Gate, Solo Series Award, 1992
  

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